Свёрла

The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this. (Source: Takashi Nakajima)